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The ‘Into the Valley’ diptych marked an important step forward in my practice. Firstly, it capped a successful sequence of Hares, mostly painted in a distinctive style that revolved around ‘tendrils of colour’. The deliberate use of these rich blue & purple tones, draws inspiration directly from my ‘Purple Hare’ series, which was a prevalent influence during the creation of this piece. Upon reflection, I cannot help but acknowledge the unmistakable echoes of Van Gogh’s distinctive style—a homage that I wear with pride.
Secondly, the very nature of a diptych allowed the use (and extension of) a common horizon across two paintings. What’s remarkable, is that a number of years were to pass between each one in the sequence. In practical terms, this meant that I had to ‘re-find’ the style of work when it came to the second half of the sequence!
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