£95.00 – £275.00
“Into the Valley – Part 2” stands as a testament to the evolution of artistic vision, its genesis predating its companion in this diptych by several years—a reminder that creativity is often a journey of exploration and refinement.
This foundational piece laid the groundwork for the subsequent ‘Part One’, setting the stage with its dual narrative and expressive imagery. Employing a technique akin to that of the Rainbow Hares series, the Hare emerges from translucent paints, each brushstroke infused with vitality and depth. Meanwhile, the backdrop, a masterful fusion of acrylic wash and meticulous dry-brushing, sets the stage for the unfolding drama.
Here, amidst the captivating scenery, two distinct emotional forms converge, their silhouettes blending seamlessly against the backdrop of a mesmerizing horizon. The vivid hues of rich blues and purples imbue the landscape with an otherworldly allure, a motif that would later find resonance in Ann’s fantastical creations. Anchored by a shared palette reminiscent of the beloved ‘Purple Hare’ series, this diptych exudes a harmonious synergy of purpose and narrative.
As we embark on this enchanting journey ‘Into the Valley – Part 2’, I am thrilled to accompany you, dear audience, on an exploration of its rich symbolism and evocative storytelling.
Our Fine-Art Prints use archival papers in two weights. For everything up to – and including – our ‘Signature Editions’, we use 210gsm Fotospeed Smooth; a versatile paper that offers exceptional contrast and detail. For the larger ‘Premium Editions’, we use Fotospeed’s 315gsm NST. Thanks to subtle textures similar to traditional etching papers, coupled to bright-white bases, both of these 100%-cotton, fine-art papers deliver revelatory, impactful images that will stand the test of time. Furthermore, we only ever use OEM inks that are rich in pigments & offer a consistent level of reproduction.
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