Original Artwork, in Oils & gilded with copper leaf.
= Varnished Ply Panel
= Hand-Signed
= Includes Letter of Provenance
= Framing available
= 350mm x 450mm (UnFramed)
Isn’t the Barn Owl simply magnificent? There’s a winding road nearby that traverses the Downs. Sometimes, when Gary and I venture out for a night drive along that road, we’re fortunate enough to catch a glimpse of a Barney. It often perches on a favoured gatepost, diligently scanning the verges illuminated by our headlights in search of its evening meal.
Their unmistakable heart-shaped faces forge an immediate connection to the landscape. Residing here in Wiltshire, on the cusp of The Downs, offers us the continual privilege of witnessing these majestic birds in their natural habitat.
This artwork is the delightful outcome of an experiment involving Copper leaf as an under-layer of colour. Those striking deep lines you observe in the images? That’s the result of the individual sheets of copper being carefully ‘smooshed’ together. They’re thinner than a human hair and practically weightless, necessitating a closed environment to prevent them from being whisked away by a stray draught! Yet, the effect is undeniably exquisite, wouldn’t you concur? Copper imbues the finished piece with a unique, warm tone; deeper and richer than gold leaf.
In my journey as an artist, I’ve tried various surfaces & colours: from acrylics on boxed canvas to the refined oils on board I now employ. Each combination wields a distinct influence over the final outcome. Canvas imbues a rustic charm, its weave adding texture. For intricate details, only oil on board suffices, offering subtle nuances and unmatched blendability.
Yet, my attention extends beyond the artwork itself; the frames for Original Artworks hold equal significance. Through experience, I’ve learnt how a well-selected frame can elevate a piece, sometimes even reshaping its interpretation. Every choice, from canvas to frame, is a deliberate step towards crafting not just art, but an experience.
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