Original Artwork — Only One Available.
Acrylics & oils on gesso’d, stretched canvas, hand-signed by the artist. Accompanied by a signed Letter of Provenance and an Explanatory Letter that places this work within the unfolding narrative of Otherwurlde.
Each original in this collection may be acquired either framed — with a design selected to complement the individual artwork — or unframed for those who prefer to commission their own presentation.
Complimentary delivery within mainland UK. Worldwide shipping arranged with care.
For years, the desire to paint a Kingfisher lingered in my mind, envisioning its vibrant hues enhancing The Carnival of Wonders. Despite numerous sketches, the story of ‘A Bigger Fish’ remained elusive, halting progress.
Yet, amidst waiting for a drying painting (‘Enlightenment’), inspiration struck. I embarked on a sketch featuring the Kingfisher towing a Stickleback balloon, a modest beginning to break the deadlock.
Inspiration flourished further when Gary proposed adding a Blue Tit towing a colossal fish, igniting the narrative: ‘There’s always a bigger fish!’ This theme resonates universally, particularly among anglers.
The painting’s intricacies delight: from the Stickleback’s blue-green armour to the Carp’s iridescent scales. The Kingfisher’s adornments, reminiscent of Aladdin’s lamp, add whimsy, blending seamlessly with its plumage and armour.
Notably, the Blue Tit steals the scene, oblivious to its impact on the regal Kingfisher. It’s a humble reminder that life’s surprises often humble us, reinforcing the adage, ‘Always a Bigger Fish!’
In this artwork’s fusion of avian whimsy and piscine intrigue, I find joy. It speaks to life’s unexpected turns and the humbling lessons they impart, encapsulating the essence of my artistic journey.
Throughout my journey as an artist, I’ve tried various surfaces & colours… From acrylics on boxed canvas to the refined oils on board I now employ. Each combination wields a distinct influence over the final outcome. Canvas imbues a rustic charm, its weave adding texture. For intricate details, only oil on board suffices, offering subtle nuances and unmatched ability to blend.
Yet, my attention extends beyond the artwork itself; the frames for Original Artworks hold equal significance. Through experience, I’ve learnt how a well-selected frame can elevate a piece, sometimes even reshaping its interpretation. Every choice, from canvas to frame, is a deliberate step towards crafting not just art, but an experience.
